I have an op-ed in Thursday’s Times on how the Internet is (and isn’t) like New York. An excerpt:
Is New York still worth the trip? Recessions tend to be hard on youthful dreams, but this downturn has proved especially dispiriting. Those in the print media have come to see their present fiscal woes as not merely cyclical but structural, and so their slashed workforce and diminished output seem unlikely to rebound any time soon. Galleries have closed. Foundations, their endowments devastated, have cut back on grants for the arts. Internships across the board are down by more than 20 percent. And those of us who still hold full-time jobs in creative fields are clinging to them for dear life, making it difficult for young people to pry any free for themselves.
Meanwhile, another destination beckons, a place that courses with all the raw ambition and creative energy that the hard times seem to have drained from New York. I am referring, of course, to the Internet, which over the past decade has slowly become the de facto heart of American culture: the public space in which our most influential conversations transpire, in which our new celebrities are discovered and touted, in which fans are won and careers made.
Wherever young creatives physically reside today, in their endeavors they are increasingly moving online: posting their photos, writing, videos and music, building a “presence” in the hope of winning an audience. Monetary rewards on the Internet are still scarce, it is true, but the cost of living is cheap and, more important, the opportunities for attention are plentiful. Every month more YouTube sensations emerge, more bloggers ink big book deals, more bands blow up through music Web sites and MySpace, and every day more young people seek their “big break” in the virtual megalopolis rather than in (or as well as in) the physical one.
